WATCH NIRVANA SABOTAGE BUENOS AIRES STADIUM SHOW, OPENING WITH (STILL) UNRELEASED SONG, 1992


On October 30th, 1992, Nirvana were booked to play a major show in Buenos Aires, Argentina. They were so big at that point in time that they just about sold-out José Amalfitani Stadium, which can hold nearly fifty thousand people. Prior to their set, Kurt Cobain witnessed the negative reception their hand picked opening act received, and was so incensed that he considered canceling the gig. Nirvana ultimately did perform that night, but they were sloppy and their set-list was more than a little unusual, as they purposely incorporated rare songs from their catalogue that they knew most of the audience wouldn’t be familiar with, including a couple of unreleased numbers. It ended up being one of their oddest shows, and it was all captured on videotape by a professional film crew.

Kurt later shared his memories of the gig:

“When we played Buenos Aires, we brought this all-girl band over from Portland called Calamity Jane,” Kurt recalled. “During their entire set, the whole audience—it was a huge show with like sixty thousand people—was throwing money and everything out of their pockets, mud and rocks, just pelting them. Eventually the girls stormed off crying. It was terrible, one of the worst things I’ve ever seen, such a mass of sexism all at once. Krist, knowing my attitude about things like that, tried to talk me out of at least setting myself on fire or refusing to play. We ended up having fun, laughing at them (the audience). Before every song, I’d play the intro to ‘Smells Like Teen Spirit’ and then stop. They didn’t realize that we were protesting against what they’d done. We played for about forty minutes, and most of the songs were off Incesticide, so they didn’t recognize anything. We wound up playing the secret noise song (‘Endless, Nameless’) that’s at the end of Nevermind, and because we were so in a rage and were just so pissed off about this whole situation, that song and whole set were one of the greatest experiences I’ve ever had.” (from Nirvana: The Chosen Rejects)

Kurt Cobain in Buenos Aires
Kurt in Buenos Aires

If you watch the show (which is embedded below), you’ll realize that Kurt was misremembering or embellishing a bit here and there. While they did unearth a handful of rarities from their odds-n-ends collection Incesticide (which hadn’t been released yet), as well as “All Apologies” (it later turned up on In Utero), they also played most of Nevermind (but not “Teen Spirit,” which they teased before two songs), and a few of the highlights from Bleach. One thing Kurt failed to mention that they most certainly did do to annoy the crowd, was open with a strange, jam-like number that those in attendance had definitely never heard before.

Unavailable on any of Nirvana’s archival releases and believed to have been performed at just this show, the track has come to be known by the most-excellent of titles, “Nobody Knows I’m New Wave”—though there is no documentation available to confirm its validity. The go-to source for Nirvana bootleg info, Live Nirvana, believes it is just a jam, largely due to official biographer Michael Azerrad’s assessment in his book, Come As You Are: The Story of Nirvana:

“The first thing they played was an improvised jam, which deteriorated into a fifteen minute fest from Kurt, with breaks when he would stop to glare at the crowd.”

The circulating video of the show begins with “Nobody Knows I’m New Wave,” but lasts less than three minutes, so it’s difficult to know what Azerrad is referring to. Does the tape begin twelve-plus minutes after their set started? Or has Azerrad himself embellished or misremembered the event?

Though the majority of the lyrics were probably made up on the spot (including “I promise to shit on your head”; “I’m new wave/I’m old school”) and the racket they’re generating collapses after just a couple of minutes, structurally it does have a chorus, which makes me think it was somewhat worked out beforehand. Either way, this isn’t the sort of track most groups would start a stadium concert with.

In Come As You Are, Azerrad also notes that the band “had hardly practiced, their enthusiasm was low, and they played badly.” Regardless, there are some great moments, like the especially heavy version of “In Bloom” (though Kurt messes up a lot); when Dave Grohl brings a toy drum kit to the front of the stage for “Polly” (and Kurt cracks a smile); the aforementioned catharsis that is “Endless, Nameless”; and the intriguing opener. Is it a song or just a jam to piss-off the Argentineans? You decide.



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Ethanol: A Lethal Injection For Tumors


In the rich world, cancer therapy is expensive. In the developing world, it may not be available at all. Not only is cutting-edge technology in short supply, but so are things like electricity and medical personnel. The lack of necessary resources for basic healthcare is made obvious by the fact that, if diagnosed with cancer, a person in the developing world is more likely to die from it than a person in the developed world.

To help alleviate this problem, cheap, uncomplicated, portable, and preferably non-surgical treatments that do not require electricity are needed. Now, a team of researchers from Duke University has shown that injecting an ethanol-based gel directly into a specific type of tumor, called squamous cell carcinoma, resulted in a 100% cure rate in a hamster model.

The authors were already aware of a therapy known as ethanol ablation. If ethanol (the type of alcohol found in your favorite adult beverages) is injected into a tumor, it destroys proteins and causes the cells to dehydrate and die. Ethanol ablation is used to treat one type of liver cancer, and its success rate is similar to that of surgery. Better yet, it costs less than $5 per treatment.

Ethanol ablation faces several limitations. First, it only works well for tumors that are surrounded by a fibrous capsule. Second, it requires large amounts of ethanol, which can damage nearby tissue as it leaks out. And third, it requires multiple treatments.

To overcome these hurdles, the authors mixed ethanol with ethyl cellulose, creating a solution that when injected into the watery environment of a tumor turns into a gel, which remains close to the injection site. After they practiced injecting their solution into imitation tumors (what they called “mechanical phantoms”), the authors turned to a hamster model.

The team induced the formation of oral cancer (specifically, squamous cell carcinoma) in hamster cheek pouches by rubbing them with a carcinogen called DMBA. After about 22 weeks, tumors (without capsules) formed.

In the control group, tumors were injected with pure ethanol. The results were not good. After seven days, 0 of 5 tumors regressed completely. (Tumors injected with a large amount of ethanol — four times the volume of the original tumor — performed better: 4 of 12 regressed completely.) The results for the ethanol gel were far superior. After seven days, 6 of 7 tumors regressed completely. (By the eighth day, all 7 tumors were gone, for a cure rate of 100%.)

As merely a proof-of-concept in an animal model with small sample sizes, obviously more work needs to be done. Still, the results are incredibly promising. The team’s findings suggest that merely a single injection of their special ethanol-based gel may be sufficient to cure certain types of tumors. They believe their technique may be applicable to some breast cancers and cervical precancerous lesions.

Furthermore, any technological advances that result from the team’s research will have applicability not only to the developing world but to the developed one, as well.

Source: Robert Morhard, et al. “Development of enhanced ethanol ablation as an alternative to surgery in treatment of superficial solid tumors.” Scientific Reports 7, Article number: 8750. Published: 18-Aug-2017. doi: 10.1038/s41598-017-09371-2



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